Born 1977, Azerbaijan. Lives and works in Istanbul, Turkey
Born in Baku, Azerbaijan and educated as a linguist, Rena Effendi’s early work focused on the oil industry’s effects on people’s lives in her region. As a result, she followed a 1,700 km oil pipeline through Georgia and Turkey, collecting stories along the way. This work of six years was published in 2009 in her first book Pipe Dreams: A Chronicle of Lives along the Pipeline. In 2012 Effendi published her second monograph “Liquid Land”, a lyrical visual narrative, where her images are paired with photographs of perished butterflies hunted by her father, a Soviet entomologist, who collected more than 30,000 butterflies in the Soviet Union. Liquid Land punctuates the theme of fragility and environmental decay of Baku, the city where Effendi was born and grew up.
Effendi’s work has been exhibited worldwide at institutions such as the Saatchi Gallery, London, Istanbul Modern, the Venice Biennial, the Museum of Modern Art, New York, among others. Effendi’s photographs are in the permanent collections of Istanbul Modern, the Open Society Foundations and the Prince Claus Fund. She has won several international photography awards including the “Fifty Crows” Documentary Photography Award, Sony World Photography Awards, National Geographic ‘All Roads’ Photography Award, Magnum Foundation Emergency Grant, Getty Images Editorial Grant and the Alexia Foundation Grant. In 2011, Rena Effendi became the laureate of the Prince Claus Fund Award for Culture and Development and in 2012 she was shortlisted for the Prix Pictet for her series Chernobyl: Still Life in the Zone. In 2014, Rena Effendi won two awards in the World Press Photo ‘Observed Portraits’ categories. She has also been on the jury of prestigious photographic competitions such as World Press Photo and the Sony World Photography Awards.
Effendi has worked on editorial commissions for the National Geographic Magazine, The New York Times Magazine, Vogue, Marie Claire, The New Yorker, GEO, The Daily Telegraph, Newsweek, TIME Magazine, The Sunday Times, New York Magazine and many others.